Just after World War Two ends, an American woman takes in a Polish war orphan boy, a concentration camp survivor. But conflict arises when her husband, a returning Air Force bomber pilot,hates the boy and his psychological baggage.

派拉蒙获得了范德米尔（VanderMeer）另一部小说《博恩》（《Borne》）的电影版权，斯科特·鲁丁（Scott Rudin，代表作《社交网络》《老无所依》《楚门的世界》）和伊莱·布什（Eli Bush，代表作《布达佩斯大饭店》《机械姬》《龙纹身的女孩》）将担任制片人。

When Kate, an isolated and vulnerable young mother struggling to make ends meet, is offered help by her neighbour Marie, she finds herself pulled into a community that may not be as virtuous as it seems.

A movie about love and betrayal. About war, about returning from war. However, the film does not reflect Platonov's important theme of epiphany. In the story, the protagonist does not just forgive his wife, but begins to realize how hard it was for her in the rear and at the same time realizes his selfishness and moral deafness. The peculiarity of the movie is that the characters speak in Platonovian constructions, which sound very unusual for ordinary speech.

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An ordinary bloke embarks on a 19-hour drive home, unaware of being pursued by two unhinged criminals. Once he discovers their motive, his journey turns into a brutal fight for survival.

The relationship among a divorced man, his incurably ill teenage son, and his long-estranged father is explored when the youngster joins his dad for one final summer vacation and they end up at the grandfather's vineyard where he reconciles the two older men.

After being separated from her companions in a canyon plane crash, Lassie endures captivity, hops a freight train with runaway boys, battles a wolf, stops a stampede, saves a man, and overcomes injury—guided by a hawk—until she finally returns home.

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The life of a young man growing up in a small town in the mountains of North Carolina during the early part of the 20th century, based on Thomas Wolfe's autobiographical novel of the same name.